Author :
Abstract
My article began with the words that Azerbaijani theaters appealed to Ottoman drama in the early 20th century. The theater troupe of the Nijat Enlightenment Society staged Shamsaddin Sami’s play “Blacksmith Gave” [“Gaveyi Harmonious”] on January 2, 1907. After that, the company of Muslim drama actors performed Sh. Sami’s “Gave” [“Gaveyi Harmonious”] on April 8, 1907, Namig Kamal’s “Unfortunate Child” [“Poor Boy”] on February 2, 1908, “Nijat” enlightenment society’s theater company staged Huseyn Badreddin and Mohammad Rufat’s “Amir Abul Ula” on May 12, 1908, Mohammad Ehsan’s “Jovdet Bey” on November 13, 1909 and “Safa” society dramatized Abulhaq Hamid’s “Tariq Ibn Ziyad” on February 6, 1913.
Keywords
Abstract
My article began with the words that Azerbaijani theaters appealed to Ottoman drama in the early 20th century. The theater troupe of the Nijat Enlightenment Society staged Shamsaddin Sami’s play “Blacksmith Gave” [“Gaveyi Harmonious”] on January 2, 1907. After that, the company of Muslim drama actors performed Sh. Sami’s “Gave” [“Gaveyi Harmonious”] on April 8, 1907, Namig Kamal’s “Unfortunate Child” [“Poor Boy”] on February 2, 1908, “Nijat” enlightenment society’s theater company staged Huseyn Badreddin and Mohammad Rufat’s “Amir Abul Ula” on May 12, 1908, Mohammad Ehsan’s “Jovdet Bey” on November 13, 1909 and “Safa” society dramatized Abulhaq Hamid’s “Tariq Ibn Ziyad” on February 6, 1913.
Keywords
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