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Abstract


‘DER HİMMEL ÜBER BERLİN’ EXHIBITION IN THE CONTEXT OF DEATH AND TIME

The final result of a 12-year production, Çağrı Saray’s solo exhibition called “Der Himmel Über Berlin” (2018) regards Wim Wenders’ film Wings of Desire (named after the direct translation of its original name, Der Himmel über Berlin). Gathering the works he created and connected with in the context of death and time, this exhibition forms an organic bond with the world Wenders created and the literary works of Peter Handke, with whom he co-wrote the script. This text analyzes both the film and the artworks about the film in the context of the history of philosophy, with philosophers such as Hegel, Camus, and Heidegger and their approach to the concepts of death, momentousness, and nowness. Just like the connection an artwork has with concepts and philosophy in contemporary art, the text reveals how these concepts provided a foundation to the creation process of the works in the exhibition.



Keywords
Contemporary Art, Cinema, Video, Painting



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